January 20th, 2014
(Nine months ago I wrote about my fear — some 25 years earlier — that my son would be born on Hitler’s Birthday. I’m reprinting that article now because I am unable to figure out how to link another persons’ video to my blog, thus publishing the article I had already begun writing. I need two things, 1 — your indulgence in my recent republishings and, 2 — any first-rate memory (i.e. magical thinking) treatment you might recommend. Thank you. FW)
Today Adolf Hitler is 124 years old. Of course, this is not difficult for me to remember. It’s a day that loomed worrisome in the second and third weeks of April, 1989. My son’s mom, Katie, was out to here (I am making like a very pregnant woman while sitting at my keyboard). Like most fathers-to-be who were Third Reich history fanatics at that time, I was worried my son would pop out on April 20th — Hitler’s 100th birthday.
I’ve never thought of myself as superstitious, but it’s pretty damn superstitious to worry that my son would grow up to be an a) Evil, b) Mass, and c) Killer just because he shares a birthday with someone having those character defects. That’s the problem with living on a planet that circles the sun once every 365 days, 36,500 days later is a big-ass anniversary called a centennial, and this fact invites magical thinking.
Whenever I see a digital clock that reads 12:34, I quietly rejoice. I don’t know why, but once I came before a digital clock on a bank that read out all the way to the seconds. I waited about four minutes for it to read 12:34.56. It made me feel especially good — partly because it was raining.
Hitler was known to be a superstitious man. If a new Hitler comes along and he happens to be born on my son’s birthday, he won’t have much villainy to look forward to, because my son is a good boy.
On a non-superstitious level, I once shaved my mustache in the Hitler fashion. But this was in my twenties, I wore it for only ten minutes, and my head and facial hair was a rich chestnut color.
Enough about Hitler. Katie gave birth to our son, Max, on April 17, 1989. I breathed a sigh of relief. A few days later, when we all felt he was up for it, his doctor strapped him onto the Olympic Circumstraint, and I held it, and him, in place while she removed his foreskin. I’m certain Hitler never got that treatment!
January 17th, 2014
(I did not cry during “August, Osage County,” and a close inspection of my seatmates showed me to be in the majority. Still, a few tears were somehow jerked. Compare the habits of five years ago.)
The title character in “The Curious Case of Benjamin Button” is born a hideous old man. We soon learn he is aging backwards, and in the course of two hours and forty-five minutes we are treated to about ten stages of his life in reverse.
I won’t tell you more than I have to about his story, only that the movie is sentimental (not mawkish). I hesitate to call it a tearjerker, but the fact is it jerked three of my tears.
When I cry in a movie, I try (a) to hide it, and (b) to see who else is crying. My first tear came when Benjamin left home at about seventeen (having been born in his late eighties, he appeared to be seventy at this time).
I had a knuckle up to the corner of my right eye. My friend Mike was sitting to my left, but exhibited no signs of crying (although he told me later this scene brought a tear). Two open seats to my right was a woman. A rivulet ran down her left cheek.
Benjamin’s (Brad Pitt) love interest was a young girl named Daisy. He met her when she was twelve and he appeared to be eighty. But there was a spark, and it was clear that the age of mutual desire and consent would mesh nicely after a few more scenes. Before long, the director dispensed with the child actor and replaced her with Cate Blanchett (as a young ballerina). There was a heart-breaking shot of her in tights. Simply put, her ass was so lovely it made me cry.
The woman to my right was not crying.
Okay, now I’ve cried twice, and the movie isn’t half over. But because of the way I was sitting in my seat, and the woman’s obliviousness to my spying — or her disinterest — I could see she was crying at quite a few things. For the sake of the scientific paper you’re reading, I wish I had committed them to memory.
I didn’t cry again until Benjamin met his father. Although it was a wonderful scene, that’s not what made me cry. It was the gorgeous postwar Packard the man was driving. That big fat vertical front end — it’s what the Beemer was always trying to be but never accomplished.
After that, my tears were done. But I was in a good position to see the eye-daubings of quite a few people. Men and women. I think it would be nice to have a camera or two pointed at the audience from above the screen so this matter could be given a bit more study because I was torn — make mental notes or enjoy the movie. I decided to enjoy the movie.
But when Benjamin died as an infant in the now elderly Daisy’s arms, the woman to my right, and her woman friend to her right, were weeping. I got nothing out of the scene. It just wasn’t that affecting.
As you can see from the above Venn diagram, I take my analyses seriously. My weeping habits, and those of my female neighbor, met only at Leaving Home. I’m not ready to make the sweeping assertion that all men and all women will react to this movie as we did. But I am willing to make the generalization.
There is a difference. I have a Venn diagram somewhere that proves it.
January 12th, 2014
I step onto the top step of my ten-step stairway, lose my footing, then my grip is pried loose from the handrail. After that it’s three somersaulting seconds of pain. I still play the video in my mind a few times a day. It’s not enjoyable, but it is impossible to shut off. There’s no volume, and my crutches take flight, I believe, in slow motion. Already a few sets of eyes follow as I bounce into new territory. The three fellows who live upstairs from me are witnesses, along with Alexis, the art dealer who used to sell my paintings. I think of myself as a colorist, but there is no color in the scene. Just movement and shimmering reflections from the parked cars at noontime.
This took place two weeks ago, today. I spent four hours in emergency, had many bone photos taken, showing no breaks. I underwent the usual round of memory tests. I neither passed nor failed the tests, I survived them. This was good enough for the medics. I was released to my family. Then I set foot outside the hospital, ready to repeat all of the above except…
No, I will not do this shit again.
Two years ago my sister, after one of my falls, began nagging. “Get out of that apartment, Fred. Too many damn sets of stairs. Move to a less hilly part of town.” She was soon joined by my boy’s mother, and my brother-in-law. Then my brother, and my sister-in-law. Then these same basic sets of relations, only long distance, with slightly different genetic makeups. My response has always been, “Get off my case.” But this time, before anybody could stick his or her nose where it didn’t belong, I jumped in. “Get out of that apartment, Fred.” This time I listened. My son has taken my lodgings until I am ready to return. I am sleeping in his bed in his mother’s apartment. Somewhere, a cat figures into this mix. By the time I am seventy-three I will have this figured out, but that’s six months off.
In the meantime, in between time, ain’t we got fun?
December 27th, 2013
Once a week I do a horribly tiresome job. I dole out the 30+ pills I take each day of the week into a compartmentalized plastic tray — morning, noon. evening, and bedtime. It takes only about 38 & 1/2 minutes, but it seems much longer. Some pills are more difficult than others — cholecalciferol (don’t know what it’s for, only that’s it’s small and slippery, causing droppage either on the floor or, worse, in the wrong department of the tray, which makes it difficult to retrieve and place properly), gabapentin (a HUGE pill I take three times a day to combat phantom pain), and prasugrel (a blood thinner, which I wish I didn’t have to take because thin blood means they can’t operate on me. I desperately would like my left knee replaced).
At the outset of each weekly session I have the annoying sensation that I just did this job a few minutes before. This truly messes with my sense of aging because the six days, 23 hours, and 21 & 1/2 minutes of actual living that takes place between the tasks slips my mind entirely. I experience only a dull, repetitive hell wherein plays a horrifying mantra from my Christian Science upbringing, “There is no life, truth, intelligence, nor substance in matter.” Christian Scientists profess to be ennobled and love-charged by such a negation of material pleasures. Well fuck them. That clump of words can only bring a sane person down.
So 7 times 4 equals 28 little plastic doors that must snap shut to avoid a massive pill spill. One of those doors, Thursday Bedtime, is faulty. The snap will not hold, so I place a rubber band around the door at its center and hope the five pills behind that door stay in place. And Sunday Noon holds too solidly. The little ledge that gives your fingernail a point of access has broken off so it takes effort and lock picking expertise to open it up. You didn’t ask for all this detail, I know. It just comes with your Bullseye Rooster subscription.
The entire kit occupies a place beside my bed — on a small, custom built table. I will explain the table to any fan of Per Madsen, the furniture maker responsible. He is a genius, and it’s only too sad that there aren’t more small table fans. The space also holds my earplugs, but they’re not custom. I had a large cup of water crowding the space, but a friend brought a good-sized dog into my room one evening. The dog started drinking the water and knocked the cup over. It happened on a Friday, so there were five days of pills. Some got wet, some didn’t. They all required inspection, though. I know germaphobes who wouldn’t touch a pill that had been possibly splashed by a dog’s tongue. The following night, though, I noticed that one of my earplugs was wet. I looked into the mirror and saw my ugh-freaky face contortion. Why would a micro-drop of dog saliva make me do that? And why, since we’re calling on the crime lab, would there not have been noticeable saliva the night before? These are the things that make me wish I had a woman in bed with me at all times.
I learned to dissect my ambien and oxycodone pills into small pieces (half, quarter, or an eighth of a tablet). I do this in order both to take microdoses when necessary, and when, if the pill creates a high, I want a good feeling to last a bit longer. I checked with a friend who uses these pills. She does the same thing. Also pills which, at first, taste wretched, taste better when you know a good feeling follows — either a high or the relief of pain.
My word count just passed 625 — 5/8ths of the word count I planned to use up tonight. With that I must sign off in order to do my 375 word midnight mantra.
December 26th, 2013
I got left behind in the world of automobiles some time ago. About ten years ago I got rid of my 1994 Ford Escort and became a bus rider. Naturally, I’ve been driven around in some nice cars, but I can’t get used to them. I keep comparing them — neither favorably nor unfavorably — to my Ford. They are just all such different species. Christmas day I rode to my brother’s in Sebastopol in a brand new Mercedes SUV. I never noticed what the model was, but that’s not because I’m inattentive. To my left was the driver’s seat, occupied by my friend and family member, Dean. Now, this seems obvious, of course — driver sits on the left in America. But it was difficult to move my gaze past the screen on the middle of the dash. Sure GPS is all run of the mill to you, but I’m slow on the uptake. I’d look at the solid blue water, the orange highway, the solid green representation of the natural world, and the arrow threading its way — moving, and yet not moving — through the maze, I’d feel the heat bleeding into my butt and back from the magic seats, and I could only think what has the automobile wrought?
My son and his sister are in back, arguing about wind noise. Just as I had thought Mercedes had ironed out all the wrinkles in its transportation machines, I find that there is a strange occurrence in the way wind wraps around a vehicle moving between 35 and 80 mph — which is to say, at all highway speeds. An annoying flutter develops and doesn’t stop until my son loses the battle with me, Dean, and Renee, and he rolls — excuse me, “buttons” — the window back up tight. A few confabs with a major aircraft manufacturer might have served Mercedes well on this problem. Maybe by 2015? While we’re on the mysteries of wind, we have just passed the house up on the bluff overlooking 101. The steel-barrel windmill house. I don’t know whether it powers anything, but it was in place, and working, when I moved here in 1975 — long before the second age of windmills began. It’s a clunky, but lovely reminder of the human mind plugging right along. If you have never seen it, wait for a windy day and look to the west side of the highway on the ride north. The rotors are made from 55-gallon steel drums, cut in half and placed on a shaft in the horizontal aspect. The bearings are old and it doesn’t spin as fast as it once did.
The arguments have settled down thanks to the discovery that the fluttering wind noise lessens when you open the roof window a crack. I’ve always enjoyed looking at the wind vectors drawn around cars in wind tunnels. The arrows pointing sleekly along the windstream except when they’re all mixed up and tied in knots — which is what they were doing a short while ago. We’re on 116, heading west now. I’ve turned the heat off in my seat and have my nose in the GPS system again. Another dozen changes of headings and we’ll be pulling into my brother’s property. Oh, there’s their coyote.. er dog, right now. I’m ready to eat.
December 22nd, 2013
A week ago I was in a very good mood (spoiler alert: I still am). I’d invited my kids to show up at the bar where the post-improv gang hangs out. Yeah, they showed. They had a great time, too. Max, now 24, had done improv seven or eight years ago with a different group that had five or six of today’s players. Renee, 18, played with a different selection of this gang. They were both damn good improvisers, but Max plays music with a band these days, and his sister is in the UCLA theater program — which I hope, at some point, will throttle her with some more improv.
We hung out, making nuisances of ourselves to the Silver Cloud’s crowd for two hours, then we (just Max, Renee, and myself) headed off to dinner. Through the insane traffic, we somehow ended up at Perry’s. As soon as we pulled into the parking garage adjacent to Perry’s we saw the list of parking charges — $2.50 for each 15 minutes. Renee quickly backed around the car pressing up behind us and soon we were free out on Union street. No way was I going to be able to enjoy a leisurely dinner with a time clock wound that tight.
We found parking on the street a couple blocks up. Good thing I had my handicapped parking pass with me. No cost to me and no danger of timing out, either. San Francisco treats cripples right. Our luck held as we walked up to the host’s stand at Perry’s. A table just broke (not the splintery kind of a break, the opening up for another group of diners — i.e. Renee, Max, and me).
We ordered. Max wanted a cocktail. An Irish Coffee, which this non-drinking alcoholic considers to be — well, let me bow out of the booze debate, I’m just glad my son is not a heavy drinker (I wish only to thank the hand my son was dealt regarding the way our bodies process alcohol).
Renee ordered a hamburger, medium rare. There is a shade of pink which can be measured on the colorimeter. Medium rare at Perry’s always comes within .006247 — that is six one thousandth of a grannum. No hamburger anywhere can match that. Juiciness and taste are consistent with the measurement, as well. Max chose a sandwich that cannot be measured yet. Pulled Pork. Oddly enough, Eskimos are the best judges of pork. There is no lexicon for pork perfection, but part of the New Years fun is the Pork Poke, in which a team of Eskimo men and women walk on an inch of hot pork, just pulled from the fire.
Pork holds heat
Better than any meat,
Be it hooved, clawed, or shod.
Pork can be gnawed
Off’n any bone, by God,
So step right up and chew
Until your forehead turns blue,
And the number of your fingers,
As you count them kinda lingers
And your eyes then just fall closed and you nod.
Needless to say, my son wants to keep going back to Perry’s for the pork. Myself, I love the Club Sandwich. I ate only half, but finished it off the next morning. I’m not a leftover kinda guy (there’s a song in that!) but oooooh, the turkey, the bacon, the tomato, the sourdough, the toothpick.
Dessert! Imagine you’ve never believed in God for all your years and a storm comes in. Your brother goes out in the yard with a loaded shotgun. He kills a rattlesnake. He kills a salamander. Then a bison charges him and he shoots, but misses. Fortunately, bison are extinct and your brother survives. The Apple Brown Betty is like that. Confusing, but deliriously satisfying. He shoots again. This time there is blood all over his shirt. But there are no dead creatures in the yard. You promise yourself to look into this God business, but you are not able to keep your promise due to the shortage of Bibles. Then you learn that the stories in the bible are just that. Stories. You can believe them if you want, but there’s no law that says you have to. You go back to your yard with a shotgun and shoot a small tree. It takes fifteen blows to cut it entirely in two. But now you know that you can win this game. And you do. Time after time, the Apple Brown Betty survives.
Put yourself in the place of the man with the shotgun. You’ve got fifteen shots. Look, the Apple Brown Betty is laughing. Is she laughing at you? At the sourdough bread? Or the colorimeter. You can never know.
That is the mystery of the colorimeter.
December 17th, 2013
Jack, who has a museum membership, took me to see the Anders Zorn exhibition at the Legion of Honor today. If I wrote “marvelous” twelve times it would take a hundred and eight keystrikes. I don’t want to do that. But marvelous, marvelous, marvelous it was. I’d never heard of this Swedish painter of the turn of the 20th century until a few weeks ago. So Jack and I agreed it was a better idea than spending the whole afternoon at Peets, and off we went. It’s funny, I hadn’t been through the Sea Cliff neighborhood in a long time. A house on a curve in a neighborhood that had an unobstructed view of the sea caught my eye. I don’t know why. Pretty soon we were in the Legion parking lot and making our way up the long ramp to the entrance.
It had been a couple years since I’d been inside the Legion. I pretty quickly realized the marble-hard floors would be a challenge for my one foot to endure for a couple hours, but I made it. There were about eight rooms dedicated to the show. In the first were the early watercolors. Nice, but we moved on quickly. Pretty soon it was clear we were in the presence of a major artist, though, when we moved into the oils. Loose, brushy surfaces. His wife was among about six models he used over and over, but there was no sense of over and over. Everything had its own stamp. One of the oils stays with me. In the last room, on the central pillar, was a large self-portrait. Fascinating to see how quickly, from his slender early years, he fattened up to look like an executive of today. He held a cigarette like a cigar. I totted the years and figured he was 55 at the time of this painting — five years before his death. If it hadn’t been for the colors, I would have guessed it was President Taft. But god, the colors. Zorn stood in the foreground of a muted gray cottage room in a wide, wide suit with wider yet lapels. His suit was a rich, gorgeous orange. You have to see this to believe how orange can work on a conservative looking gentleman. But it does. I don’t know whether it took more balls to paint a suit like this or to wear one. In any case, it was — this word again — marvelous.
We spent two hours going from room to room, back and forth, just as you surely will, if you go to see the show. As we sat on a bench, just minutes before closing, we talked with an usher who knew more about art than do most ushers in my experience. The man looked young, but it turned out he’d been working at this job for more than eighteen years. I don’t know what it is about me — nosiness? — but I asked if he was getting minimum wage. Much to my pleasure I learned the city paid these guys pretty well — although he didn’t specify a figure. We laughed for a few minutes about my willingness to stick my nose in his business and then it was time to go.
On the way home, Jack and I went back through that same Sea Cliff neighborhood. We went by the house I mentioned in the first paragraph. “That’s where Robin Williams lived in the early eighties,” Jack told me. Oh my God. I looked at that house again and it hit me. I knew what was familiar. In 1982 I ran the San Francisco marathon. On one of my training runs — running the perimeter of the city from my home in North Beach, Sea Cliff was at about mile 17. Here among the beautiful homes, lush greenery, imaginative topiary, and freshly laundered hummingbirds was that house. On that training run I realized I had to poop. It was about three in the afternoon on a warm July day. I investigated the greenery in every yard (there were no empty lots). Finally, I entered Robin William’s yard, downsloping towards the sea. In the corner of the property was a pine forest of four or five trees. I had gone in, investigated the lines of sight, and although it was far from perfect protection, I could wait no longer. I did my business. How fascinating, I thought, remembering my little dungheap — San Francisco in the eighties, when Robin Williams did his best work. And I did mine.
December 16th, 2013
The woman holds the bathroom door for me. She has to reach in and push with all her might because her foot placement does not give her upper body a strong position. “Thank you,” I say. “No problem,” she replies. Of course, it was a problem. She should be given a medal. Or I should have bought her a double espresso. Neither of which happened. Still, there are many who would fault the woman for her use of language. “No problem? That is incorrect. She should have said, ‘You’re welcome.’” I argue with my friend about this. He is a firm believer in using correct language. 88% of the people under 35 use the term “No problem” in this situation. (my stats). 10% say “You’re welcome.” 2% say “My pleasure.” But my friend, who is my age (72) insists “no problem” is incorrect.
My friend will concede that language changes. That a “living language” is a healthy part of a growing world. But these damn kids today have no respect for the English language.
I seldom quote Shakespeare in these battles simply because I don’t understand what all the fuss is about. I probably would have got him if I grew up in his time, but I would be long dead and wouldn’t have the pleasure of this particular argument. Anyhow, he used the word “fond” as an adjective to mean “foolish.” Today, does the word bring foolish to mind? But since Shakespeare is often given place by today’s correct language cops, why did he confound his playgoers by using new words — made up, usually, by him — in all his plays? Why did Zigfield zig when Zagfield just sat there? I think people change because its more fun than deepening the rut they’re in. Mrs. Schaum, in 1955, insisted that the correct past participle of the word prove was proved. As in “it has been proved.” Those of us who mistakenly said, “it has been proven,” were marked down on the quiz by Mrs Schaum. Still, there was something about proven that had, well, a more impressive sound to us. So we just kept saying it.
These kids today! They don’t give a damn about the things we hold dear. I mean, supercalifragilisticexpialidocious is okay, but supercalifragilisticexpialicocksucker? Way out of line.
December 14th, 2013
One of the neighborhood twins greeted me outside my apartment tonight. She looked defeated. She’d just returned from Walgreen’s, a lengthy receipt hung from her pocket. “What’s the matter Eliizabeth?” She grinched up her face and said it was her mom. “Really?” I asked. “What do moms do to teenagers that’s so damn awful?” She tells me the whole story. In brief: She and her pal were buying toys for homeless boys. She bought Hot Wheels. Lots of them. When she got home, her mom hits the roof. No no no, that’s all wrong! That sort of thing. So Liz goes back to Walgreens and follows her mother’ directions this time. Which was to buy stuffed toys. Even me, I can see what a mistake that is. Boys in their early teens want things that make noise when you crash them. Stuffed toys, I don’t even know how to write the word for the lack of noise they make. Something like
bshhhshshh. Fogettaboudit. Anyhow, she’s got two bags of fresh and quiet toys in her arms. What’s a 13 year old girl gonna do? By the way, what’s the word for compressing your face so your nose and eyes and lips are all out of whack? Squinched up or grinched up? Okay, no more of this tough talk. I thought I could pull it off. Clearly, I was wrong.
So I was thinking about the dumb things moms do to try to make their fellows in parentage think they are miles above them in parental behavior. That’s why the stuffed toys. It’d be pretty doggone easy put an eye out on the back bumper of a ’85 Oldsmobile when it’s pulling out of a two couch cushion garage. It’s sad. That’s probably the reason girls tend to take up filter tip cigarettes when they graduate to smoking — it’s less likely to make your lungs look bad when you expire from this terrible practice.
Elizabeth and her friend wandered off downhill in the general direction of Walgreens, or it could’ve been the coffee shop that treats young teens with as much decorum as their mothers and fathers. (The shop is doing very well, by the way). Their assignment for tonight, come back with stuffed animals. And forget the rhinos and wolves. Silly bears and flightless birds — you know the ones that just waddle.
Okay, honey, you’ve got you marching orders.
December 12th, 2013
There it lay on the floor of my entryway. The man on the cover holding a sandwich aloft as though it was an Olympic torch. He was familiar looking, but so what, it wasn’t a photo, it was a painting. But a very good painting. Probably totally realistic. He was dark-skinned, probably black. But the sandwich was confusing. Was it thin round bread, or a brown wafer — the kind of thing that made you think it was an ice-cream sandwich?
Was the man Teddy Roosevelt? Something in the way he filled out his jacket. No, no single round lens — in fact no glass, or glasses, at all. If I were better at this sort of thing, I’d go upstairs — NOW before I forget — and scan the cover and…there’s this app where you can put a photo in it and it will identify the celebrity. And there’s no question, this guy is a celebrity. Damn my memory — or lack thereof. (How is it that I can recall all these words — celebrity, aloft, Roosevelt, sandwich, ice-cream sandwich — and not bring this presumably well-known African-American to mind?)
Just think about it a moment, Fred. That is not an ice-cream sandwich. What looked like an ice-cream bite under the last section of his index finger is the highlight on his thumb. And the whole shadow is chocolate simply because this is a chocolate-skinned man. More and more of these people are given prominence thanks to an increase the in efforts of fair-minded gentlemen — and
The wide part in his hair, again, tells us that no matter the hue of the printing job, this is an African-American. Only nappy hair can be divided so deliberately. Lips and mustache are another clue. He is very proud, and rightly so, if indeed he is an Olympic champion. And if he is not, he is an actor who portrays Olympic stars.
This is fun. I could run upstairs right now and scroll the news sites and figure this business out in a half-hour, but I need my memory to kick back in. I’m close on this fellow. It’s not going to start working again unless I stick to the game. I tend to give up too easily on these puzzles.
Is it Teddy Roosevelt? No, I guess I tried that. Robert Kennedy? Oh, right. Teddy Kennedy? Carl Kennedy? How does anybody keep these Kennedy’s straight. Besides, Kennedy’s skin is not pierced. And he has a sister — Clark, not Bobby.
Let’s just look it up. Bobby. Bobby Orr. American hockey player. Married to Gilda Sparkman, AKA Winnie de Clerk Mbeki, African-American novelist and gymnast, daughter of Mbobby, sister of Nelson Mandela. South African. NOT an African-American.
How did I get so mixed up? What was that thing what’s-her-name-used to say on Saturday Night Live? Yeah, you know who I mean. Long black hair. Exactly.
December 9th, 2013
Tim and I at Peet’s, early afternoon. Two very attractive women in their mid-sixties joined the dark-haired fiftyish woman sitting next to us. I looked at them for awhile, then said to Tim, sotto voce, “Do you often see sixty year old women that good-looking.” Tim said quietly, “No. They really are. “I wonder if they’re twins,” I said. “Why don’t you ask them.” Tim said. I breathed in, “Excuse me.” They didn’t hear. Then louder. “Excuse me.” They both looked at me. “Are you guys twins?” Very matter of factly, one of them said, “No.” “Uh, sisters?” I asked. “Yes, “the same woman answered. That was it. This comes across as rude, of course, but nothing in the woman’s voice was rude. But it did say, end of conversation.
It brought me back to a Starbucks give and take four years before. Two attractive dark-haired women I took to be sisters. They were dressed not as sisters, nor was their haircut similar. The only thing that said sisters was their facial characteristics. The one I took to be oldest had been doing all the talking. “Are you sisters?” I asked, my voice 95% charm. I didn’t have to repeat the question that time. “Yes we are,” said the sister, who later identified herself as Rebecca. After a few minutes of small talk, her sister, who seemed rather meek, joined the conversation. I could see she was trying to get a word in and finally, no thanks to Rebecca, she managed. “My name is Sarah.” She reached across for a handshook and I shook it. She may have had other things to say, but her sister chimed in again. All her attention directed at me. “We’re up here from L.A. I’m thinking about grad school at Dominican College. In philosophy. I don’t know why philosophy. I guess my Dad was a philosopher. I got his genes. I’ve read a book…or twelve…ha ha ha. But really, these are the books that count. Have you read Kant? No, no, now don’t tell me you couldn’t…ha ha. Seriously, though, a lot of people think Kant’s so heavy going, but you have to be in a receptive mode. Damn thing is, I don’t know how to tell you to get in a receptive mode. If you looked at it from — (Sarah takes the floor, eyes alight with fury, voice steeped in bitterness).
“Shut up, Rebecca.”
Rebecca looks around for support, but everybody is looking the other way. She begins talking again but I say, as I rise, “I have got to go.”
Bitterness ensues followed by “REALLY, SHUT UP, REBECCA.”
It took me a moment to get my bag off the floor, and put it over my shoulder. As I get up, Rebecca notices I have a prosthetic right leg. “Oh, I see you’ve had your leg replaced. What a feeling of freedom…ha ha ha.”
Finally, I speak to her. “Rebecca, I think she wants you to shut up.”
As I step free of the table I can hear Sarah’s sarcastic comment, directed at her sister: “Oh, I see you’ve had your brain replaced. What a feeling of freedom…”
December 6th, 2013
I’ve been writing nothing but drivel lately. For that reason I’m taking a blogging break. I’ll be back, although I have a feeling my brain will be taking me in different directions. At least I hope it will. Sayonara for now.
December 4th, 2013
Reading the blog entry below it just occurred to me that it was pretty damn snippy. I love my sister Ruthie. She saved my ass in fights when we both were little. She kept me on track thru grade school. And I write crap like that? Why? Just because it’s fun. What kind of excuse is that? Ruthie, I hope you do make it to 104 and I’m there at 102 to cheer you on. Again, Love, Fred.
December 2nd, 2013
How Jewish can you be? You got a first name, Ruth, biblical as all hell. And Rosenberg is your last. Rosenbergs were sought in pogrom after pogrom. Your daughter Sarah and son Benjamin are typical Jewish intellectuals. You know, save the planet liberals. Sarah gave up her partner track at the law firm she was working in and went back to school to get a math degree. Ben teaches at an inner city school in Detroit.
So what is this shit? Ruthie Rosenberg, who also happens to be the head of the Jewish Genealogical Society of Detroit, Michigan, is not even Jewish.
One thing about being the head of a genealogical society is it gives you goals. Aunt Harriet holds the the family age record at 104. But damn if she didn’t get screwed when Ruthie married outside the religion, because if Ruthie reaches her goal, in just 30 years, she will become the oldest. And Ruthie did it simply by marrying into the Wickham family.
Okay Ruthie. Thirty years from today you win your dastardly title. Hold your breath, Harriet, here she comes. By the way, Ruthie, congratulations from your totally goy brother for making it to 75.
November 30th, 2013
Geico Gecko, Aflac duck, and Robin Williams walk into a Walmart. Somebody snaps up the last box of Sea Salt caramels. On the bright side it’s Black Friday and Walmart’s chopped beef, which is past its expiration date, suddenly drops to 8 cents a pound. Robin says to the Geico Gecko, “This is good stuff. The same thing happened last month when Smokey the Bear…”
Wiley Coyote, Bear Bryant, and Robin Williams drive into a smoke-free parking lot. A man in a yellow Humvee dumps his ashtray onto the asphalt. On the bright side they’re all low-nicotine butts. Robin Willliam says to Bear Bryant, “Don’t sweat it. Somebody did this same thing at Walmart in 1996. Fortunately, Smokey the Bear…”
Bing Crosby, Garry Moore, and Robin Williams walk into a cemetery. A woman kneels, chipping the likeness of her recently deceased husband into a gravestone. She has made his nose big, yet the photograph she is working from is of a small-nosed man. Robin Williams asks her, “Is this a Jewish cemetery or are you just…”
Betty Furness, Jackie Robinson, and Robin Williams ride into a bike park. There is a chalk drawing of Lance Armstrong on a large, smooth patch of concrete. Robin Williams, who has been described in the press recently as “a cutter,” empties an artery onto the drawing. When a worried child runs up and asks him, “why are you doing that?” Robin merely shrugs as if to say…”Have you been reading Maureen Dow…?”
Colin Powell, Pablo Picasso, and Robin Williams, snowboard into The Shreadows in Alpine Meadows, North Lake Tahoe. Picasso’s snowboard is, of course, a startling shape which pleases the eye, but disrupts his course through the deep snow. He disappears into a huge drift and Robin calls out, “Hallooo, hallooo, halllooooo Pabloooo. You are missing all the…”
November 23rd, 2013
A couple days ago somebody asked me “What are you reading, Fred?” I was reading something I wanted to call great, but since I didn’t even know the name of it I decided to turn down my enthusiasm a bit. ‘It’s a pretty good novel that discusses race and family relations.” “That’s it, Fred?” I turned away to another in our big conversation, but I spent the rest of the day pissed off. I had something to talk about. The novel was a great exploration of race and family tensions. Rich, funny, even magic. Christ, here I am thinking the novel had magic, and I can’t even remember the name of it. Then it occurred to me that I might never have known what the name of it was. Even when I bought it. How can this be. How? Talk to any Kindle owner.
That’s right. I read a really big, wonderful book and I don’t know its name. The thing is, unless you make it a point to know the name, the Kindle isn’t going to help you out much. Mine is a small black tablet with no way of letting you know what you’re reading unless you go to the trouble to click through whatever technological stumbling blocks that might bring you to the title of the book you’re reading. In my case I must click the upper left corner of the page and click on the A (whatever that stands for). Then a number of books I’ve read (in my case about 70) are shown. Not the title, the cover art. For me this is pretty tough. Even with my glasses, if the type face is least bit fancy or tricky, I need a magnifying glass. Okay, got the magnifier. I am reading “The Fortress of Solitude,” by, just a minute, got to get a stronger magnifier, ah, Jonathan Lethen.
Books might do well to get Kindle to design an electronic cover that displays whatever book is currently being read by its owner. If I were a designer I’d do it and become a multimillionaire (a theme I’ve explored in other BR posts). Sure, there are other people who pay more attention to the book they’ve just spent good money on. But there are those of us who have to look at the grille of the car they’re driving to tell you what kind it is.
Anyhow, Lethem’s a terrific writer. And the Kindle is a marvelous way to read terrific writing. Ironing out these glitches might mean more money in the writing and publishing industry and less for the moviemakers.
November 21st, 2013
I’m watching Steven Colbert. Not Colbear. Colbert. I didn’t like the Frenchy pronounciation six years ago when he came up with it, but I didn’t say anything. Look at it this way, if he didn’t like Colbert, why not pick another name altogether? If he’s going for a play on words, do Colbear, but with an actual bear in the logo. It wouldn’t be terribly funny, but it doesn’t have to be. Think of the environmental message it would send. The bear could be in attack mode, or just a sweet old-timey ursinary pose. I don’t think it matters as long as you aren’t obviously going for the joke — as I believe your Frenchified pronounciation is. Another take on it would be the corny Colbare. Not all that funny, but this is the guy who made Colbert (French pronunciation) work. Maybe he could pull it off. Actually do the show naked a couple times a year.
What I’m watching is a pretty, south-of-the-border type. Maybe Indian or Philippina. Nice body. Super face. She’s got no talent, though. Not a drop, not dram, not a dribble. The song is so weak they decided to present the video portion all in an attention getting red hue. There’s some study somewhere that shows red takes the place of a nice tune. It’s like you’re in a dog show, your dog isn’t very attractive, so you increase the volume of the dog’s bark. You’ve got a tiny French dog with a heavy, unfriendly bark — people will take note. They will fixate on the inappropriateness of the dog’s sound, not its pathetic look. Good. Her song is over. What I really enjoy now is the Colbert (?) show’s quick finish. He does this on his bad shows. I think it’s the key to his success.
November 19th, 2013
I’ve been promising myself to see a couple shows that get three stars in the comedy show reviews on the internet. Promise Kept! “2 Broke Girls” and “Mike & Molly”. I didn’t expect to like either one of them, but I did want to watch and I didn’t want to see them without having something to show for the trouble, so here are my comments. 2 Broke Girls. This is the episode where the dark haired, slutty talking one wants to take a $24,000 course in French pastry making. Your heart goes out to her and you’ve got to admit that the Frenchman who runs the school would be a real catch. You want her to succeed just so… dammit, just woke up and I’m in the midst of Mike & Molly. I can’t get into it. Isn’t this the weirdest thing about TV? Time can go by, you’re not even smoking dope and nothing sticks. Mike & Molly really appear to love each other. There’s a laugh track, so there are jokes. A lot of the jokes are about being fat. Let’s pretend there wasn’t a sitcom about people who are fat, so we (you and me) write one. Now because there isn’t one, the one we write doesn’t have to be funny, so, like them, we succeed. And now were rich. That was the situation the creators of Mike & Molly were in a couple years ago. They went ahead and did it. Now they’re rich. Kind of makes you think, doesn’t it.
Okay, I’ve been a-lookin’ all over the internet (no, I haven’t been a-lookin’, that’s just a trope for music from the musical comedy era) and a lot of the songs that have made it here — 70, 80, 90 years later — use that trope. Those guys got rich off of it. It’s too late to jump in on that one, but if it wasn’t, that would be as easy as shooting fish in a barrel. Money would follow. Wouldn’t be able to use the “fish in a barrel” line because, in reality, water slows bullets down so quickly that you’d kill a few, but not enough to make a living at it. And I hear that water skews your line of site by fifteen degrees, so you’d really hit very few fish. (Wouldn’t it be nice if there was a “degree” symbol you could have on your typewriter so you don’t have to type the whole word. Somebody could make a fortune off of that. I probably shouldn’t have said anything.)
There’s not enough money in the universe to make up for the movies you’ve dreamed and then have been unable to record, all because your memory in a dream state isn’t all that good. Mine wasn’t either, but that was before I built my DreamCorder. These household items you were going to throw out — thread spud, tape lolly, foam trecker, paper stimmel — don’t toss them out. Any one of them might be the secret ingredient to making your DreamCorder actually work. Just think of the difference you could make in this tired old world. Do it now. Don’t send comments, just send money. How many times have you been told that? Never? You’re kidding. Put that sense of humor in your dreams and start making a difference. Not for others, but for yourself.